Image description

Patrick Heron (1920 - 1999) - Graphics

Patrick Heron January 73:19

January 1973: 19 

Medium: Original screenprint, 1973, colours, signed and dated by the artist in pencil

Printed by: Kelpra Studios, London, their blindstamp “K.8088 verso.

Size: 918 x 694 mms (Paper size) ; 585 x 813 mms (Image size)

Edition: 72 copies

Reference: There is no catalogue raisonee for works by this artist and no published work which helps us with a better description of our piece. However another edition of this  work is in the collection of the Tate Gallery which was presented to them by Rose and Chris Prater through the Institute of Contemptary Prints in 1975. Their collection reference is PO4291

Note:  The angular shapes with dramatic strong colours are typical of the artists works made in the 1960’s and ’70’s. Heron was an important member of the St Ives School and suggested that these represented the fields, rivers, lakes and seas of his native Cornwall viewed from up high in the sky. As well as painting and tapestry design, Patrick Heron has also designed a stained glass window for the Tate Gallery in St. Ives and designed a kneeler to encircle the Henry Moore altar at St. Stephen Wallbrook in London.

Condition:  Small repaired tear upper sheet along way from the image.  Minor white blemishes on the sheet.


 

Patrick Heron Small Red January 1973-2

Small Red January 1973: 2 

Original screenprint, 1973, in colours, signed and dated by the artist in pencil, verso is the Publishers stamp K8091

Printed by: Kelpra Studios, London

Size: 428 x 521 mms (Image size) ; 591 x 500 mms (sheet size)

Edition: 7/72

Reference: There is no catalogue raisonee for works by this artist and no published work which helps us with a better description of our piece.

Note:  This came from a portfolio entitled “Small Red 1973” 

The angular shapes with dramatic strong colours are typical of the artists works made in the 1960’s and ’70’s. Heron was an important member of the St Ives School and suggested that these represented the fields, rivers, lakes and seas of his native Cornwall viewed from up high in the sky. As well as painting and tapestry design, Patrick Heron has also designed a stained glass window for the Tate Gallery in St. Ives and designed a kneeler to encircle the Henry Moore altar at St. Stephen Wallbrook in London.

Condition: In  good condition


 

Patrick Heron Interlocking Scarlet and Pink in Deep Green

Interlocking Scarlet and Pink in Deep Green 

Original screenprint, 1970, in colours, signed and dated by the artist in pencil, verso is the Publishers stamp

Printed by: Kelpra Studios, London, Their stamp K7504 verso

Size: Sheet : 1015 x 710 mms ; Image: 787 x 594 mms

Edition: 100 copies

Reference: There is no catalogue raisonee for works by this artist and no published work which helps us with a better description of our piece. However another edition of this  work is in the collection of the Tate Gallery which was presented to them by Rose and Chris Prater through the Institute of Contemporary Prints in 1975. Their collection reference is PO4276

Note:  The angular shapes with dramatic strong colours are typical of the artists works made in the 1960’s and ’70’s. Heron was an important member of the St Ives School and suggested that these represented the fields, rivers, lakes and seas of his native Cornwall viewed from up high in the sky. As well as painting and tapestry design, Patrick Heron has also designed a stained glass window for the Tate Gallery in St. Ives and designed a kneeler to encircle the Henry Moore altar at St. Stephen Wallbrook in London.

Public Collections: Tate Gallery, London. This can be found on:   http://www.tate.org.uk/art/artworks/heron-interlocking-scarlet-and-pink-in-deep-green-april-1970-p04276 it was presented to the Tate Gallery by Rose and Chris Prater through the Institute of Contemporary Prints in 1975. The reference number was PO4276

Condition: In  good condition

 

Patrick Heron January 1973-3

January 1973 : 3 

Medium: Original screenprint, 1973, in colours, signed and dated by the artist in pencil, verso is the Publishers stamp

Printed by: Kelpra Studios, London

Size:   915 x 690 mms, Sheet size; 810 x 590 mms , Image size.

Edition: 66/72

Reference: There is no catalogue raisonee for works by this artist and no published work which helps us with a better description of our piece. However another edition of this  work is in the collection of the Tate Gallery which was presented to them by Rose and Chris Prater through the Institute of Contemptary Prints in 1975. 

Their collection reference is PO4292. http://www.tate.org.uk/art/artworks/heron-january-1973-3-p04292

Note:  The angular shapes with dramatic strong colours are typical of the artists works made in the 1960’s and ’70’s. Heron was an important member of the St Ives School and suggested that these represented the fields, rivers, lakes and seas of his native Cornwall viewed from up high in the sky. As well as painting and tapestry design, Patrick Heron has also designed a stained glass window for the Tate Gallery in St. Ives and designed a kneeler to encircle the Henry Moore altar at St. Stephen Wallbrook in London.

Public Collections: Tate Gallery, London. This can be found on: http://www.tate.org.uk/art/artworks/heron-january-1973-3-p04292  it was presented to the Tate Gallery by Rose and Chris Prater through the Institute of Contemporary Prints in 1975. The reference number was PO4292


 

Patrick Heron January 1973-18

January 1973 : 18 

Medium: Original screenprint, 1973, in colours, signed and dated by the artist in pencil, verso is the Publishers stamp

Printed by: Kelpra Studios, London

Size:  920 x 690 mms , Sheet size; 850 x 590 mms , Image size.

Edition: 66/72  or 53/72

Reference: There is no catalogue raisonee for works by this artist and no published work which helps us with a better description of our piece. However another edition of this  work is in the collection of the Tate Gallery which was presented to them by Rose and Chris Prater through the Institute of Contemptary Prints in 1975. 

Their collection reference is PO4306. http://www.tate.org.uk/art/artworks/heron-january-1973-18-p04306

Note:  The angular shapes with dramatic strong colours are typical of the artists works made in the 1960’s and ’70’s. Heron was an important member of the St Ives School and suggested that these represented the fields, rivers, lakes and seas of his native Cornwall viewed from up high in the sky. As well as painting and tapestry design, Patrick Heron has also designed a stained glass window for the Tate Gallery in St. Ives and designed a kneeler to encircle the Henry Moore altar at St. Stephen Wallbrook in London.

Public Collections: Tate Gallery, London. This can be found on: http://www.tate.org.uk/art/artworks/heron-january-1973-18-p04306 it was presented to the Tate Gallery by Rose and Chris Prater through the Institute of Contemporary Prints in 1975. The reference number was PO4306

Condition: In  good condition